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The subtext of the feud is that none of these rappers are likely to reclaim their spot as hottest in the Atlanta streets: Future and 2 Chainz are the kings now. Same with “G Season,” which somehow overcomes lines like you “Bitches call me Papa John / Because I keep that extra cheese.” That’s not to say that there aren’t a few forced radio grabs: The Pink-smeared “Guns and Roses” sounds like Eminem whispered the idea to him in a dream, and “Wonderful Life” shatters the blissful, Akon-free cease-fire of late.
But they’re exceptions: This is easily his most consistent album since .
We agreed she had to at least give him a chance and see where it led.
Despite Tinder’s reputation, said friend had arranged a lunch date the following week with someone she had been matched with on the app.I.’s eighth studio record and arguably the most formidable he’s seemed since he first said hello to Hollywood.He calls out neither foe by name, but the hate is obvious and taunting. After largely forgetting DJ Toomp’s phone number for the last three albums, the pair return to their old baking-soda-and-Pyrex recipe on “Trap Back Jumpin”; over a Valkyries-on-Bankhead beat, T. raps the same hard white-into-cold-green rhymes that he’s traded in most successfully for the past decade.Of course, this is nothing new for the Atlanta-raised rapper.After transitioning from regional star to national icon with 2006’s , a Manichean struggle between the streets and the safety that his newfound celebrity afforded.